

From Wikipedia:

"By mid-day, after Prime Minister Stephen Harper had offered a few warm words about Mr. Layton’s death...Mr. Solomon even expressed sniping surprise that 'Jack Layton wasn’t the sole focus' of the Prime Minister’s remarks."
The NERVE of Blatch to take a swipe at the emperor's nakedness, as reflected in Jack's final communiqué:
"And what to make of that astonishing letter, widely hailed as Mr. Layton’s magnificent from-the-grave cri de coeur?
"It was extraordinary, though it is not Mr. Solomon’s repeated use of that word that makes it so.
"Rather, it’s remarkable because it shows what a canny, relentless, thoroughly ambitious fellow Mr. Layton was. Even on Saturday, two days before he died, he managed to keep a gimlet eye on all the campaigns to come."
For these crimes, Blatch was portrayed by Jason Sherman and David Parkins as a cross between a bat, a gargoyle, and Cruella Deville. And, for good measure, a "c-word," and an "ugly glasses-wearing soldier lover," in the eyes of Jack's NDP faithful.
Blatch goes on: "Who thinks to leave a 1,000-word missive meant for public consumption and released by his family and the party mid-day, happily just as Mr. Solomon and his fellows were in danger of running out of pap? Who seriously writes of himself, 'All my life I have worked to make things better'?
"The letter was first presented as Mr. Layton’s last message to Canadians, as something written by him on his deathbed; only later was it more fully described as having been 'crafted' with party president Brian Topp, Mr. Layton’s chief of staff Anne McGrath and his wife and fellow NDP MP Olivia Chow."
Frankly, I don't think Blatchford went far enough. I think Layton should have resigned when he first became ill. He didn't, maybe not so much because of his ego as because he knew what happens to a cult of personality when the personality in question exits stage left.
I also have a problem with his having died of a 'new' cancer that's remained nameless to avoid depressing cancer sufferers more (as if!).
But maybe that's just me...and I digress.
Contrast the treatment of Blatchford with the treatment of Adam Gopnik in the following month's issue, the positively fawning article by Daniel Baird "The Observer, Observed."
Okay, Adam's a big success, writes for The New Yorker, and just released a treatise on winter:
"At fifty-five, Gopnik stands at the peak of his career. He has written six books to date (two of them for children), including the acclaimed Paris to the Moon and Angels and Ages: A Short Book about Darwin, Lincoln, and Modern Life, as well as countless articles of varying length for The New Yorker. This fall, he is publishing two new books, The Table Comes First: Family, France, and the Meaning of Food and Winter, which he is delivering across Canada this fall as the 2011 CBC Massey Lectures."
Listen, I'm as admiring of Gopnik as the next person, but he moved away from Canada 30 years ago for NYC. And Paris.
And he's prancing across Canada lecturing CANADIANS about...WINTER??!
SERIOUSLY?
And that photograph of Gopnik by Jody Rogac--what were they thinking? He looks like Snoopy impersonating a vulture.
Baird's final paragraph is, albeit possibly unintentionally, hilarious:
"...[Gopnik's] son Luke appeared, a lithe and handsome seventeen-year-old with thick brown hair. He went to the kitchen and came back with a dog treat, as Butterscotch [the little dog that now obsesses Gopnik after a lifetime of refusing to have dogs] practically spun in circles on her hind legs. Then he began slowly waving the treat over the stack of unsold copies of Through the Children’s Gate, and soon Butterscotch followed, leaping with her stubby legs fully extended, with surprising grace, over the wall of books, back and forth, back and forth. Gopnik looked on, rapt, amazed, and absolutely beaming."
All I can say is, where is Mordecai Richler when you need him?
This is most of what Baird has to say about Winter: "..a diffuse and eclectic book, straining at times to sustain its theme with no chance to fall back on the quirky, heartwarming personal narratives that propel Paris to the Moon and Through the Children’s Gate. But in the end, Winter is also deeply personal: it is about finding a sense of home and rootedness and meaning in a fragmented postmodern world; it begins with and ultimately returns to the city of his formative teen years and early adulthood, Montreal. 'Practically everything important that has happened to me happened in Montreal,' he said: 'The first time I fell in love, the first time I fell out of love, the first time I made love.'"
Frankly, The Walrus owes Blatchford an apology. I think Blatchford is amazing, not least because she actually stayed in Canada, not to mention travelling halfway round the world, to bring us Canadian stories. And, for the record, as a kneejerk leftie, there are many of her positions I disagree with.
I know, I know: "Chalk It Up" is supposed to be satire. Still, Blatch is a writer of stature in this country, a writer of gender, a feminist writer. She deserved better than to have her appearance slagged and to be called a 'c-word' in what passes in Canada for The New Yorker.
Maybe Gopnik's next book will be a series of lectures about the essential Montreal.
As a Montrealer, let me tell you how much I'm looking forward to that.
"Hey! Read more short fiction. Novels are like a nice intimate chat over a pint, but shorts are like a wild, unexpected night out. You want more of those, right? Really, ask any writer: from a writing standpoint, shorts are more fun to write. From a reading standpoint, they’re more potent because they’re all punch and no filler.
I hereby declare, with absolute authority, while knowing I’ll inevitably forget at least one or two collections, that these titles are the official top 10 books of short fiction by Canadians this year. If you can read and not like books like And Also Sharks, The Beggar’s Garden, Once You Break a Knuckle, or Up Up Up, then you have poor taste in modern literature. Sorry. But you do. I can’t even offer you any condolences, as it must, simply, be unfortunate to be so afflicted. And those wild Vancouverites Zsuzsi Gartner and at Matthew J. Trafford, talk about breaking down some walls with short fiction. All 10 of these (11 if you’re counting) made me want to be a better writer..."
Congratulations also to the following book/author/publisher combos:
And Also Sharks by Jessica Westhead (Cormorant)
The Beggar’s Garden by Michael Christie (HarperCollins)
Better Living Through Plastic Explosives by Zsuzsi Gartner (Hamish Hamilton)
The Big Dream by Rebecca Rosenblum (Biblioasis)
The Divinity Gene by Matthew J. Trafford (Douglas & McIntyre)
The Meagre Tarmac by Clark Blaise (Biblioasis)Moonlight Sketches by Gerard Collins (Killick Press)
Once You Break a Knuckle by DW Wilson (Hamish Hamilton)
The Reverse Cowgirl by David Whitton (Freehand)
Up Up Up by Julie Booker (Anansi).
Anyone who listens to Fred Szabo, a full professor in the Department of Mathematics and Statistics, talk about teaching, quickly realizes that he embodies the adage: do something you love and you’ll never work a day in your life.
For Szabo, teaching is not a job, but a vocation. His dedication has resulted in him receiving a number of teaching awards, including a recent President's Award for Innovative Excellence in Teaching.
They say if you want to get something done, ask a busy person. That person is Martin Pugh.
Pugh plays squash, cycles to the Sir George Williams Campus from his West Island home (“except in winter”), and keeps track of three dogs, two cats, two kids, more than 1,000 undergraduates, and several hundred graduate students.
The professor and chair of the Department of Mechanical and Industrial Engineering is busy, sporty and a good sport. He recently kept his promise to shave his head if the Concordia chapter of Women in Engineering raised $1,000 to support research into cancers affecting women.
Screen image from a video of a Nov. 23 march against a proposed move of Royal Vale's high school from NDG to Côte Saint-Luc. (http://youtu.be/sZxqzjYbNaQ)
Against a backdrop of declining English Montreal School Board enrolment, attempts to re-establish a public high school in Côte Saint-Luc are getting ugly.
A resolution to transfer the high school component of Royal Vale School to the former Wagar High School building, renamed the Giovanni Palatucci Educational Centre, was proposed in April 2011, to be voted on early in 2012. Wagar, Côte Saint-Luc’s last public secondary school, was closed in 2005 due to low enrolment.
But Côte Saint-Luc Mayor Anthony Housefather said his is the third largest city on Montreal island, with thousands of kids eligible for English schooling but no public high school. He points out that Côte Saint-Luc citizens pay school taxes and have been lobbying the English Montreal School Board for a new school for years. “I believe we have the right to a mainstream public high school in our community,” Housefather said.
The Palatucci facility is near Côte Saint-Luc’s new $18 million Aquatic and Community Centre, in an area featuring arenas, a gymnasium, and an auxiliary branch of the renowned civic library. It’s ideal for student activities, according to Housefather, who’s even pledging to resurface the school’s six tennis courts to sweeten the deal.
But Royal Vale parents and students are massively against a move says Karen J’bari, a Royal Vale School governing board member for about seven years. Her son graduated from the high school in 2010.
J’bari says her board voted unanimously against the proposed move because 88 per cent of parents and 75 per cent of students reject it. The parents’ survey had a 37.5 per cent response rate, which she calls “good for industry standards.”
She also says Royal Vale principal Chantal Martin has worked hard the past few years to improve the cohesiveness of the school’s kindergarten to Grade 11 program. “It blows my mind that they are thinking of splitting the school,” J’bari said.
In addition to rending the Royal Vale School social fabric, J’bari calls the school board’s proposal fiscally irresponsible, and lacking in costing or market analysis. Last spring’s attempt to gauge demand for a new Côte Saint-Luc public high school garnered interest from only 45 families, she points out.
Housefather is convinced that, to paraphrase W.P. Kinsella, if you transfer it, they will come. Local school commissioner Syd Wise concurs. He says the English Montreal School Board must meet the challenge from private schools in the area. The best way to do that is “to present parents with an enriched program like Royal Vale’s.” Wise says a school board consultation showed Côte Saint-Luc parents are looking for a more challenging curriculum than a regular high school provides.
Housefather agrees that the high school at Royal Vale “is just what parents in Côte Saint-Luc want.” He lists the fact the school accepts students regardless of where they live, has French immersion, and math and science programs.
J’bari insists that “there’s no proof a new high school would attract families” from the private schools.
On Nov. 7, Montreal’s Côte-des-Neiges/Notre-Dame de Grace borough council voted unanimously against the school board’s proposed move of Royal Vale high school. Public discussion subsequently took a turn for the worse after borough Mayor Michael Applebaum, was quoted saying, “I can tell you that we wield a big stick. … If [the move] happens, there will be consequences.”
School board chair Angela Mancini demanded an apology, calling Applebaum’s remarks “inflammatory, offensive and threatening.”
The school board’s commissioners are to hold public consultations on more than 10 major school change resolutions Dec. 5 to 8; the Royal Vale School discussion is scheduled for Dec. 6. Resolutions will be voted on Jan. 11. All meetings will take place at the English Montreal School Board’s Administration building, at 6000 Fielding Ave., at 6 p.m.
Beverly Akerman was involved in a parent movement to prevent the EMSB relocating Royal Vale School to Wagar in 2005. She is the author of The Meaning Of ChildrenGreenhouse becomes a hotbed of urban agriculture
The greenhouse on top of Concordia’s Henry F. Hall Building boasts an eagle’s eye view of the city, but it’s no ivory tower.
Increasingly, the greenhouse is a hub of community building and a hotbed of urban agriculture. Last week’s City Farm School was the latest manifestation of this growing role.
Over the past couple of years, the greenhouse has become increasingly active in community outreach, creating workshops and supporting the burgeoning curiosity about the cultivation, processing and distribution of food in and around the city. But an overwhelming number of volunteer applications — there are over 500 names on the listserv — has made volunteer training an issue in itself.
The week-long City Farm School (April 26-30) was designed to help manage and respond to the needs of this abundance of human resources. Mornings featured theory-based lectures — delivered simultaneously in French and English sessions. Afternoons were for activities such as building vermicompost bins and guerrilla gardening walks discussing “how to use space that isn’t technically yours” for growing. The 40 graduates of the City Farm School were then assigned internships with some 15 diverse community groups, including Westmount High School and St. James the Apostle Church, all clamouring for assistance in organizing new agricultural projects.
Marcus Lobb has been Education Coordinator at the greenhouse for 10 months now. He explains that the greenhouse community is also creating new projects of its own on the Loyola Campus, building on the success of The People’s Potato (the vegan soup kitchen) garden: tea and herb gardens, another small garden plot, and outdoor mushroom growing.
A student in the Department of Geography, Planning and Environment, Lobb says he, like many young people, combined his interest in travel and organic farming by travelling through WWOOF, World Wide Opportunities on Organic Farms. Participants learn about organic growing and other sustainable living practices, and experience a unique cultural exchange. “They find opportunities on five- to 10-acre family run farms, where they work, learn and share their knowledge.”
Back in the city, many WWOOFers make their way to Concordia’s greenhouse through programs like the Sustainable Food Festival, held in September 2010 and built around the university’s role in the sustainability movement, ensuring food sources remain diverse and productive over the long term.
Kim Fox, the administrator who handles the logistics and organization of greenhouse events, says, “People want to learn how to garden again. They want to learn how to cook, how to grow their own food, and to understand the politics around food. Why not have gardens in the city?” Over 1,000 people came through the festival’s food fair, held on the Hall Building terrace. The point was to raise awareness of food: “where it comes from, and connecting people with local farmers and food issues.” Interest is growing, she says, adding, “the more people find out, the more they wish to reclaim food,” to produce it themselves rather than having it brought to them over great distances.
Fox, finishing up her BA in political science, is “really inspired by helping people understand what is in our food supply and how it is produced. I want them to understand the burdens of monoculture and agribusiness.” With its diverse programming — speakers, food festivals and now the farm school, the greenhouse is well on its way to filling this growing community need.
[Originally published May 2, 2011 in Concordia NOW.]
Related links:
• City Farm School
• WWOOF
• Concordia greenhouse
Book Fair coordinator Victoria Lees unloads boxes at Redpath Hall. Photo: Owain Harris
By Beverly Akerman
The McGill Book Fair will mark its 40th anniversary this year by closing its doors for good.
The volunteer-run sale of books, CDs and DVDs, which has raised over $1.5 million in endowment funds for student scholarships and bursaries, just doesn’t have enough volunteers to keep going.
The Book Fair committee took a vote on the question of whether or not they could continue on Sept. 13th.
“It was a sad decision but it was a unanimous one,” said Victoria Lees, a Book Fair volunteer for the past eight years, and coordinator for the last four.
Many tears were shed said Lees, a former Secretary-General of McGill, but in the end, it all came down to the fact that “younger people aren’t that interested in volunteering.”
The Book Fair committee is composed of 23 women and one man. Most are retired McGill employees, with many in their mid-seventies and some in their mid-eighties.
Another 150 or so volunteers are recruited for the three-day sale itself, to be held this year from Oct. 18 - 20. The best recruits are the friends of other volunteers, Lees said, but at this point their network has been exhausted.
Books, CDs, DVDs and albums, new and used, are donated and collected at depots around Montreal. The committee starts work each year in February, receiving and sorting through thousands of donations. Last year’s sale raised $85,000.
Lees says many of the books that come her way are from people who are closing up their parents’ apartments or homes. The work can involve the unpacking of “often filthy" boxes.
“For every 50 to 55 thousand books we put on sale each year, we must process about 10 times that number," Lees said. "There’s a tremendous amount of sorting and moving of heavy boxes. Redpath Hall is a great location but there are lots of stairs involved.”
The promise of a rare find has attracted amateur collectors and book dealers come from Ontario, New England, and throughout Quebec over the years.
Occasionally, there are incredible finds. One year, Lees recounted, two first-edition James Bond novels in mint condition were uncovered—hard covers with their dust jackets. They fetched $11,400. There’s a lesson in that, Lees said.
“Never throw away a dust jacket. Ninety percent of the value of a book from the 20th century is in the dust jacket.”
Another year, Lees came across a first edition of Samuel Johnson’s "Dictionary of the English Language." It went to the Rare Books Collection at McGill for $1,800, a sum Lees calls “a real bargain. That’s the sort of thing that makes me saddest about all this. What will happen to all these books? That’s the thing that breaks my heart.”
Besides volunteers, about 20 students are hired to work as cashiers or security agents for the Book Fair. Jonathan Haines has been the hiring manager for the past three years; for two years before that, while a McGill linguistics student himself, he was one of the student hires.
Haines said he’s sad about the Book Fair’s demise, “as are a lot of the students I’ve mentioned it to. It’s a loss not just for McGill but for Montreal, and also for the regional community.”
Customers are from all walks of life, though they are mostly students, according to Haines. Books are available in English, French, and foreign languages.
Parents would bring their children and spend hours together at the Book Fair. “It’s an opportunity not just to buy books but a way of being around books that’s completely different,” Haines said.
McGill University administration officials did not respond to OpenFile's request for comment, but Haines said he’s “been hearing a lot of people talk about what can be done.
“People are thinking about this. It’s not a totally lost cause.”
Beverly Akerman is author of the story collection, "The Meaning Of Children."
The final McGill Book Fair took place:
Tuesday, October 18, 1 p.m. to 9 p.m.
Wednesday, October 19, 9 a.m. to 9 p.m.
Thursday, October 20, 9 a.m. to 9 p.m.
Location: Redpath Hall (east side of McTavish Street, one block north of Sherbrooke)
3461 McTavish (McTavish Gates)
Montreal, QC, H3A 2K6
If students find Nancy Acemian sometimes feels like a big sister, it is probably because she’s been a volunteer with Big Brothers Big Sisters of West Island for almost three years now.
She finds mentoring preteen girls very gratifying. “I’m a role model they can come to about issues in their lives.” She uses her love of painting and crafts — knitting, crocheting, jewellery making — to help connect with the girls.
This desire to connect drives her achievements in the classroom, too.
Acemian received the President's Teaching Award 2010 for Innovative Excellence in Teaching for her classroom performance and leadership in developing innovative teaching in the Faculty of Engineering and Computer Science (ENCS). The year before, she was recognized by the Faculty with the Teaching Excellence Award.
A native of Montreal, Acemian earned her bachelor’s from McGill with a major in Mathematics and a minor in Computer Science. She then obtained her master’s in Computer Science from Concordia and is working on a PhD in Educational Technology, also at Concordia. She taught at Marianopolis College for 11 years before arriving at Concordia in 2000. Plus she teaches in her third language, giving her unique insight and a deep appreciation of the diversity that’s the heart of Concordia.
“At Concordia, we give everyone a chance, with kids straight out of cegep alongside young adults back at school after several years at work,” she says.” The multicultural diversity of the student body is also way up on her list of Concordia pluses.
Acemian is the first-year program coordinator at ENCS, and shares her knowledge and expertise through the Centre for Teaching and Learning Services; however, her passion is teaching introductory level courses in computer science, which can be difficult. “Classes are large and the students are very diverse. Some have never programmed before.”
Keeping students engaged — ensuring they’re active participants in classroom discussions — is paramount. Acemian believes in a very interactive class: “Teaching is a two-way street.” She needs to know right away if students have problems with the material.
That’s why she uses the i>clicker classroom response system. Like the “ask the audience lifeline” from Who Wants to Be a Millionaire, the i>clicker lets Acemian pose multiple-choice questions and get instant feedback. Because it’s anonymous, “everyone participates, even the shy ones.” And she can zero in on unclear concepts in real time.
She also uses i>clicker to get students interacting. “Sometimes, the answer will split 50/50 in the class. I’ll tell them ‘find someone who doesn’t have the same answer as you and talk about it, try to convince each other.’”
Acemian also relies on the tablet. “Students can have the teaching slides ahead of time and we can figure out the problems in class. And because I’m always facing them, I can see when the light goes on,” she laughs.
Sometimes attention spans are short, especially when it comes to teaching on a Monday morning at 8:45 a.m. “You can’t be passive. You have to challenge the students, to keep them involved. Programming isn’t a spectator sport.” Breezing in, doing a lot of talking, and then walking out again is what doesn’t work. “The challenge is to keep from boring them.”
Respect is also very important. Acemian cultivates an open-door policy, encouraging her students to consult her, and not just about course content. “Life can be tough. There are career decisions and sometimes problems in their private lives. There’s the juggle of kids new to Montreal, living on their own for the first time.”
And Acemian likes being there for her students. Just like a big sister.
Related links:
• Centre for Teaching and Learning Services
• Slide show of the 2011 Mascot Design Contest Acemian organized as first-year program coordinator at ENCS
(Originally published in Concordia NOW.)
Jordan LeBel, an associate professor at Concordia’s John Molson School of Business, calls upon his experience as an executive chef in some of Canada’s food service organizations and a top restaurant to teach The Marketing of Food and Experience Marketing.
Currently on sabbatical, LeBel has twice received the Dean's Award for Teaching Excellence. In 2010, he was a recipient of a President’s Excellence in Teaching Award for full-time faculty. Recently, he was the first recipient of the student-created award for MBA Elective Professor of the year for his course on Experience Marketing.
A Montreal native, LeBel has taught at the Norwegian College of Hotel Management, the École Hôtelière de Lausanne, as well as Cornell University's School of Hotel Administration. He holds a bachelor’s and a master’s of science from Cornell and a PhD from McGill.
He co-developed the award-winning online course Marketing Yourself and its accompanying textbook. One of his latest undertakings is the online ‘edu-tainment’ course, The World of Chocolate: Explore, Experience, Enjoy.
LeBel’s research focuses on consumption for pleasure or aesthetic reasons, and the impact of related marketing on consumer choice and behaviour. His expertise and findings have been featured by NBC, CBS, PBS, the Discovery Channel, CTV, Global, Glamour, Self, Washington Post, New York Daily, Globe & Mail, National Post, Toronto Sun, The Gazette, La Presse, and Le Devoir. He has written for publications such as Commerce, and starting next February he will sign a branded column in the glossy Le Must Alimentaire, titled Parlons plaisirs.
What is it that makes him such a successful teacher? “That’s like trying to pin down the indefinable ingredient that makes a recipe sing,” he offers with a laugh. But when pressed, he says “it’s human interest. I care that the information I share will be useful to students, not just for the exam but in their work and in their life. We reflect on concepts larger than just the textbook concepts and theories.”
LeBel describes his approach as “very real-world pragmatism” and “no-nonsense grounded theory.” Fun is another valid descriptor, if the year-end student presentations, which follow the format of the popular CBC TV show Dragons’ Den, are anything to judge by.
His engagements outside class, such as his vice-presidency on the board of Youth Employment Services (YES), enrich his pedagogical approach. He says activities such as co-chairing the annual fundraiser for the not-for-profit organization help to make what he says to students more relevant.
LeBel has also been involved with the McGill World Platform for Health and Economic Convergence (MWP), which brings together representatives from business, government, academia and other organizations to brainstorm about improving health worldwide through better standards of living. MWP has given LeBel the opportunity to meet such innovative thinkers as Mohammad Yunus, the Bangladeshi economist who founded an institution to provide microcredit to people who want to start a small business but have no collateral. The organization has enabled LeBel to share a global outlook with his students.
He says his students “ask the kind of questions that make me a better volunteer,” and he admires that so many of them manage to balance part-time work with their studying. He praises the university as blessed with “an incredible vibrancy, energy and multi-ethnic diversity” that keeps him and other professors on their toes. Even on sabbatical, he likes to stay in touch with students, recently giving a sold-out talk to help raise funds for the MBA student's International Community Outreach Program.
Students give him grief about being old-school for his short quizzes on assigned readings, but he is determined to ensure his students learn the basic lingo and culture code of the discipline.
LeBel’s teaching is most likely celebrated because he so clearly values its role. “I know research is important and that we have to do it, but we are a higher education institution,” he says. “We all have to develop our own approach, I just hope that my work inspires others as I have been inspired by gifted teachers.”
Related links:
• John Molson School of Business
• Jordan LeBel’s bio
• “The Skinny on Bulging Waistlines” — NOW, February 14, 2011
• “Dragon's' Den, Concordia-style” — NOW, April 18, 2011
• Marketing Yourself
• The World of Chocolate: Explore, Experience, Enjoy.
(Originally Posted on Concordia - NOW, November 14, 2011)
His Excellency the Right Honourable David Johnston, Governor General of Canada, will present the Awards on Thursday, November 24 at 6 p.m. at Rideau Hall. Media representatives wishing to cover the awards presentation should contact Christelle Legault at the Rideau Hall Press Office, (613) 998-7280 or christelle.legault@gg.ca."
Also from the GG website, all the winners & the committees that chose them:
Patrick deWitt, Portland (Oregon) [originally from Vancouver Island], The Sisters Brothers
(House of Anansi Press; distributed by HarperCollins Canada)
Brothers Eli and Charlie Sisters are at the centre of this “great greedy heart” of a book. A rollicking tale of hired guns, faithful horses and alchemy. The ingenious prose of Patrick DeWitt conveys a dark and gentle touch.
Perrine Leblanc, Montreal, L’homme blanc
(Le Quartanier; distributed by Diffusion Dimedia)
In L’homme blanc, Perrine Leblanc invites us to travel to a period in history in which a profoundly human character achieves universal status. This novel teaches us that we can never predict destiny, and that even white itself can have varying degrees of whiteness.
Phil Hall, Perth (Ontario), Killdeer
(BookThug; distributed by Literary Press Group)
Killdeer by Phil Hall realizes a masterly modulation of the elegiac through poetic time. It releases the personal from the often binding axis of the egoistic into that kind of humility that only a profound love of language – and of living – can achieve.
Louise Dupré, Montreal, Plus haut que les flammes
(Éditions du Noroît; distributed by Diffusion Dimedia)
Plus haut que les flammes is a collection of admirable restraint, where the everyday is interspersed with memories of the death camps of Auschwitz and Birkenau. Louise Dupré explores and questions the experience of pain evoked by places of extreme horror, and uncovers a deeply human truth.
Erin Shields, Toronto, If We Were Birds
(Playwrights Canada Press; distributed by University of Toronto Press)
If We Were Birds is a bold and brilliant retelling of a classical myth. The language is poetic and contemporary. Erin Shields creates a haunting and viscerally impactful play about the sexual politics of war. She invites us into a world of complicated family relationships, dangerous sexuality, revenge and fierce loyalty.
Normand Chaurette, Montreal, Ce qui meurt en dernier
(Leméac Éditeur / Actes Sud; distributed by Socadis)
With Ce qui meurt en dernier, Normand Chaurette creates disturbing and mysterious moods in a polished, chiselled language. His almost surgical style paints the portrait of a woman who struggles with her desire to please. The beauty of the writing serves the play’s thesis wonderfully.
Charles Foran, Peterborough (Ontario), Mordecai: The Life & Times
(Alfred A. Knopf Canada; distributed by Random House of Canada)
Mordecai: The Life & Times by Charles Foran is biography as high art, illuminating not only the character of Canada’s most provocative writer, but also, in the most vivid and compelling fashion, the times and places in which he lived. This is a grand, sweeping work that sets the standard for future literary biography.
Georges Leroux, Montreal, Wanderer : essai sur le Voyage d’hiver
de Franz Schubert
(Éditions Nota bene; distributed by Socadis)
Almost a year after Beethoven’s death, Schubert, suffering from a concealed affliction, saw his own death approaching. Winter Journey is the pretext for a fine requiem in white that Georges Leroux has penned in a lovely, pitch-perfect book. Musing on human suffering as a philosopher, incorporating poetry and photography, the author gives us a sumptuous meditation on existence.
Christopher Moore, Toronto, From Then to Now: A Short History of the World
(Tundra Books; distributed by Random House of Canada)
From Then to Now: A Short History of the World, by Christopher Moore, is a fascinating examination of the evolution of human civilization that is global in its span and inclusive in its outlook. The energetic narrative tells a story that rivals the very best fiction.
Martin Fournier, Québec, Les aventures de Radisson - 1. L’enfer ne brûle pas
(Les éditions du Septentrion; distributed by Diffusion Dimedia)
With Les aventures de Radisson, Martin Fournier skilfully measures the suspense of his tale, and more than succeeds in transcending the dryness of a historical character. He depicts the adventures of Radisson, the rebellious adolescent who will pay for his boldness. An almost ethnological initiation into the Iroquois culture of the time – the French language at its best.
Cybèle Young, Toronto, Ten Birds, text by Cybèle Young
(Kids Can Press; distributed by University of Toronto Press)
Ten Birds is a whimsical, surreal visual riddle. A disarmingly simple story becomes a complex discussion of the adjectives used to
“pigeon-hole” individuals in society. Cybèle Young’s beautifully crafted pen and ink images describe a journey to simply cross a river. Ironically none of the birds can fly, but ultimately the simplest answer may be the best.
Caroline Merola, Montreal, Lili et les poilus, text by Caroline Merola
(Dominique et Compagnie, a division of Éditions Héritage; distributed by Messageries ADP, Groupe Sogides)
By playing with a familiar theme, Caroline Merola succeeds in drawing us into her universe filled with astonishing contrasts. She stages simply-drawn characters in a lush, generous forest. Lili et les poilus is a work full of dynamic compositions, with profound and luminous colours that are applied with unbridled energy.
Donald Winkler, Montreal, Partita for Glenn Gould
(McGill-Queen’s University Press; distributed by Georgetown Terminal Warehouses)
English translation of Partita pour Glenn Gould by Georges Leroux
(Les Presses de l’Université de Montréal)
Partita for Glenn Gould, Donald Winkler’s translation of
Georges Leroux’s brilliant essay, shines with the musicality of language that reflects Gould’s life and creative discovery. Winkler expresses the depth of feeling and baroque complexity of the original text with impressive sensitivity, dexterity and precision. A masterful performance, at once learned and lyrical, it is a tour de force.
Maryse Warda, Montreal, Toxique ou L’incident dans l’autobus
(Dramaturges Éditeurs; distributed by Diffusion Dimedia)
French translation of The Toxic Bus Incident by Greg MacArthur
Toxique ou L’incident dans l’autobus is an effective and deftly-honed translation. The language is incisive, imbued with an oral character that is perfectly suited to the theatrical text, and skilfully renders the dense and sober style of the original. Maryse Warda says a great deal in few words, in language that delivers the essential.
The winners for the Governor General’s Literary Awards are chosen by peer assessment committees (seven English and seven French) appointed by the Canada Council. The committees, which meet separately, consider all eligible books published between September 1, 2010 and September 30, 2011 for English-language books and between July 1, 2010 and June 30, 2011 for French-language books. This year, 1002 titles in the English-language categories and 682 titles in the French-language categories were submitted.
Fiction: Douglas Arthur Brown (Ross Ferry, N.S.), Peter Oliva (Calgary), Kerri Sakamoto (Toronto)
Poetry: Joanne Arnott (Richmond, BC), Stephen McCaffery
(Buffalo, New York), Douglas Burnet Smith (Antigonish, N.S.)
Drama: Christian Barry (Halifax), Lisa Codrington (Toronto),
Eugene Stickland (Calgary)
Non-fiction: Emma LaRocque (Winnipeg), Philip Lee (Fredericton), John Terpstra (Hamilton
Children’s Literature – Text: Maureen Hull (Pictou Island, N.S.), Richard Scarsbrook (Toronto), Darcy Tamayose (Lethbridge, Alta.)
Children’s Literature – Illustration: Murray Kimber (Nelson, B.C.), Susan Tooke (Halifax), Ange Zhang (Toronto)
Translation – French to English: Jo-Anne Elder (Fredericton),
Hugh Hazelton (Montreal), Maureen Ranson (Calgary)
Fiction: Salah Benlabed (Montreal), Nadine Bismuth (Montreal),
Alain Bernard Marchand (Ottawa)
Poetry: André Brochu (Montreal), Nadine Ltaif (Montreal),
Alain Raimbault (Longueuil)
Drama: Sounia Balha (Montreal), Marc Prescott (Winnipeg),
Pierre-Michel Tremblay (Montreal)
Non-fiction: Joël Des Rosiers (Charlemagne, Que.), Daniel Jacques (Québec), Claudine Potvin (Vernon, B.C.)
Children’s Literature – Text: Bertrand Laverdure (St-Liguori, Que.), Diane Carmel Léger (Moncton), Hada López (Québec)
Children’s Literature – Illustration: Naomi Mitcham (Whitehorse), Janice Nadeau (Montreal), Pierre Pratt (Lisbon, Portugal)
Translation – English to French: Laurent Chabin (Montreal),
Patricia Godbout (Sherbrooke), Louise Ladouceur (Edmonton)
(Of course, Patrick deWitt would be from Portland...if any of you have read my essay "Six Pixels of Separation," you might understand to what I refer...)