Monday, 8 April 2013
Self-publish your way beyond obscurity
I’ve decided to give away the e-version of my award-winning collection of short fiction, The Meaning of Children - well, for a couple of days. The paperback, released in 2011 by Exile Editions, officially sold about 365 copies. At $2 per $19.95 list priced copy, I’ve earned about $730 in royalties from Exile’s publication, which doesn’t include the proceeds from the approximately 200 copies I hawked myself, or the $150 they paid me to publish one of the stories in Exile Quarterly. Somebody else—many somebodies—pocketed the remaining $12 to $18 per copy…or over $6500.
The economics of publishing, especially considering the hours put in writing, editing, re-writing, etc. are enough to make a grown writer weep.
In March 2012, posting on The New Quarterly’s Facebook page, I encountered Martin Crosbie, self-published sensation, Amazon.com poster-writer who earned $45,000 in royalties in February 2012 alone. I decided to self-publish the Kindle version of my book (to which I had luckily retained the rights).
It cost me nothing to self-publish (except for the commissioning of a new cover; Exile wouldn’t let me use theirs) and took about five minutes to accomplish. The self-published ebook, available exclusively on Amazon since March 2012, has been downloaded nearly 7,000 times. From this, I’ve earned about $500. So far.
I also wrote an article about Martin’s success and contrasted it with my own (“How to become an e-book sensation. Seriously”), published in The Globe and Mail Books section. The article was in the top 10 for its section for months.
As Martin and other successful indie writers, notably Robert Bidinotto, stress, the key to generating interest in your self-published book is to use Amazon’s Kindle Direct Publishing’s primary promotional tool: five free giveaway days per three-month period your book is exclusively available with Amazon.
The point of exclusivity? The free days, and the opportunity to be paid for allowing them to lend your book to their huge bank of subscribers, Amazon Prime members. For an annual fee, Prime members benefit from a number of advantages, including borrowing a book a month from the KDP collection. Some authors generate mucho dinero from these loans, especially genre writers: because genre readers need their fixes real regular-like. Over $2 per borrow, on average. For Martin Crosbie, this translated to thousands and thousands of downloads and dollars.
Giving away your book is an indispensable promotional tool. Many websites, Twitter accounts, and Facebook pages exist primarily to promote freebies. And thousands of free downloads rockets your book up the Amazon sales charts, which piques reader interest, generates those all-important reader reviews, and results in subsequent sales. Hopefully.
As Martin told me, “The rule of thumb is: For every three you give away, you’ll sell one. So give lots away!” Indie authors must be open, generous and giving. Remember, we’re channelling Oprah here.
Despite my modest success with self-publishing, I don’t suggest litfic writers take this route: my book won prizes (many prior to the book’s publication, and a couple, e.g. the J.I. Segal Award, as a result of being traditionally published). The traditional routes to recognition and sales—newspaper and magazine book pages—are sadly still unavailable to self-published authors. Of course, there’s a reason for this: many self-published books are pure dreck.
In any event, if your self-published book doesn’t manage to do as well as Martin’s My Temporary Life, you can always tell yourself it’s because
a. it’s not a genre novel, or
b. Amazon has changed their algorithms.
Hell, that’s what I do…
Beverly Akerman’s The Meaning of Children hit #1 on Amazon's Kindle Women's Fiction, Literary Fiction, & Short stories lists in her most recent giveaway (Nov. 2013), rising to #51 on their list of over 1 million books.
This article originally published on Montreal's arts and culture online magazine, The Rover.
Thursday, 17 November 2011
Jordan LeBel's Recipe for Success in the Classroom
One part real world, one part no nonsense, and one part fun
Jordan LeBel, an associate professor at Concordia’s John Molson School of Business, calls upon his experience as an executive chef in some of Canada’s food service organizations and a top restaurant to teach The Marketing of Food and Experience Marketing.
Currently on sabbatical, LeBel has twice received the Dean's Award for Teaching Excellence. In 2010, he was a recipient of a President’s Excellence in Teaching Award for full-time faculty. Recently, he was the first recipient of the student-created award for MBA Elective Professor of the year for his course on Experience Marketing.
A Montreal native, LeBel has taught at the Norwegian College of Hotel Management, the École Hôtelière de Lausanne, as well as Cornell University's School of Hotel Administration. He holds a bachelor’s and a master’s of science from Cornell and a PhD from McGill.
He co-developed the award-winning online course Marketing Yourself and its accompanying textbook. One of his latest undertakings is the online ‘edu-tainment’ course, The World of Chocolate: Explore, Experience, Enjoy.
LeBel’s research focuses on consumption for pleasure or aesthetic reasons, and the impact of related marketing on consumer choice and behaviour. His expertise and findings have been featured by NBC, CBS, PBS, the Discovery Channel, CTV, Global, Glamour, Self, Washington Post, New York Daily, Globe & Mail, National Post, Toronto Sun, The Gazette, La Presse, and Le Devoir. He has written for publications such as Commerce, and starting next February he will sign a branded column in the glossy Le Must Alimentaire, titled Parlons plaisirs.
What is it that makes him such a successful teacher? “That’s like trying to pin down the indefinable ingredient that makes a recipe sing,” he offers with a laugh. But when pressed, he says “it’s human interest. I care that the information I share will be useful to students, not just for the exam but in their work and in their life. We reflect on concepts larger than just the textbook concepts and theories.”
LeBel describes his approach as “very real-world pragmatism” and “no-nonsense grounded theory.” Fun is another valid descriptor, if the year-end student presentations, which follow the format of the popular CBC TV show Dragons’ Den, are anything to judge by.
His engagements outside class, such as his vice-presidency on the board of Youth Employment Services (YES), enrich his pedagogical approach. He says activities such as co-chairing the annual fundraiser for the not-for-profit organization help to make what he says to students more relevant.
LeBel has also been involved with the McGill World Platform for Health and Economic Convergence (MWP), which brings together representatives from business, government, academia and other organizations to brainstorm about improving health worldwide through better standards of living. MWP has given LeBel the opportunity to meet such innovative thinkers as Mohammad Yunus, the Bangladeshi economist who founded an institution to provide microcredit to people who want to start a small business but have no collateral. The organization has enabled LeBel to share a global outlook with his students.
He says his students “ask the kind of questions that make me a better volunteer,” and he admires that so many of them manage to balance part-time work with their studying. He praises the university as blessed with “an incredible vibrancy, energy and multi-ethnic diversity” that keeps him and other professors on their toes. Even on sabbatical, he likes to stay in touch with students, recently giving a sold-out talk to help raise funds for the MBA student's International Community Outreach Program.
Students give him grief about being old-school for his short quizzes on assigned readings, but he is determined to ensure his students learn the basic lingo and culture code of the discipline.
LeBel’s teaching is most likely celebrated because he so clearly values its role. “I know research is important and that we have to do it, but we are a higher education institution,” he says. “We all have to develop our own approach, I just hope that my work inspires others as I have been inspired by gifted teachers.”
Related links:
• John Molson School of Business
• Jordan LeBel’s bio
• “The Skinny on Bulging Waistlines” — NOW, February 14, 2011
• “Dragon's' Den, Concordia-style” — NOW, April 18, 2011
• Marketing Yourself
• The World of Chocolate: Explore, Experience, Enjoy.
(Originally Posted on Concordia - NOW, November 14, 2011)

